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These three books celebrate different kinds of gifts: two from nature — and one that comes via the post office.
To this day, attend any metal or heavy-music show in the Northeast and you are bound to see someone sporting a t-shirt or hoodie emblazoned with the iconic Sam Black Church cross-on-triangle logo.
Even before the lights come up on the remarkable new production by Moonbox Productions, it is clear that this is a “Sweeney Todd” of a different order.
“Killers of the Flower Moon” is an exercise in kaleidoscopic, cubist storytelling that is, among other things, an epic on the art of the grift.
Strangely, Paul Landis makes no acknowledgment of the implications of the evidence he attests to, namely that neither Lee Harvey Oswald nor any other single gunman could have acted alone.
These new mixes and remixes of the source material, outtakes, and scintillating live cuts show how The Replacements were one of the greatest bands to ever not care much about being one.
Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
A stirring trio date featuring John Scofield on guitar with Vicente Archer on bass and Bill Stewart on drums.
Bill Frisell fans were blessed to hear the Denver-bred, Berklee-schooled guitar savant at a massive multi-space facility that might offer the state’s most awe-inspiring concert hall.
Arts Commentary: More Cultural Coverage — But Less Culture?
The journalistic value of blathering out weekend tips to the ears of the comfortable in a social media world awash with likes is dubious.
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