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Because they were masters of performance, metamorphosis, and movement — of “containing multitudes” — Allen Ginsberg and Bob Dylan are the closest peers to Whitman America has yet produced.
Mass in D was Ethel Smyth’s first large-scale score and, according to Cappella Clausura conductor Amelia LeClair, the composition expressed her yearning for hope and redemption.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
This splendid book should be read by every child and adult who is convinced he doesn’t “fit in.”
These films might not often directly address the looming menace of Russia, but the tragic history shared by the countries shadows even their moments of happiness, levity, and hope.
The Boston Philharmonic Orchestra was violinist Liza Ferschtman’s equal partner for much of the performance, imbuing Alban Berg’s dense orchestral writing with warmth and shapeliness
The weight of the masterpiece on the other side of the kitchen door is ever-present, and it casts a smothering shadow on this lighter drama.
A Mexican director sets a British play in a Times Square restaurant and patients talk to their psychiatrists in Paris.
“Four Daughters” calls attention to the complex and admittedly slippery nature of nonfiction filmmaking.
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