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This is one of the more engaging pieces of theatre I have experienced in some time.
At this year’s Sundance Film Festival, in the midst of the usual well-meaning social documentaries and “independent” celebrity tributes, some real cinematic ambition crept in.
“A lot of books talk about slavery as something that just happened in the South and ended in 1865. I felt like there could be a book about how the North was making more of the profit and was in some ways more responsible morally, politically, and financially than the South.”
Bertrand Mandico’s “She is Conann” left me buzzing, high on a euphoria of aesthetic excess that represents the true legacy of New Queer Cinema.
In his short stories, Michael Glenn has a physician’s eye for detail and a psychologist’s insight into the way we think and what motivates us.
Composer/guitarist Richard Nelson’s followers can count on being surprised at how nimbly he can satisfy their appetites.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Guitarist Aaron Larget-Caplan managed to keep the micro-opera’s crazed figure sympathetic as he blurred the lines between reality and delusion.
Visual Arts Commentary: The Problematics of Multiculturalism at the MFA — On the Dallin Front
Boston’s MFA owns the ethical and cultural dilemma regarding the location of Cyrus Dallin’s monumental statue “Appeal to the Great Spirit,” acquired as a gift in 1913.
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