Featured
This biography of Keith Haring is a compendium of vivid, first-person narratives that provide an engaging insider’s perspective on the artist’s life.
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“Make Me Famous” is not the portrait of a superstar like Jean-Michel Basquiat or Keith Haring; this protagonist is representative of the everyday angst, the struggle, the not-making-it, and the work that was produced regardless.
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This arch-New Englander, descendant of Puritans, is also “the American who resists branding, who will not be commodified.”
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Because they were masters of performance, metamorphosis, and movement — of “containing multitudes” — Allen Ginsberg and Bob Dylan are the closest peers to Whitman America has yet produced.
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Mass in D was Ethel Smyth’s first large-scale score and, according to Cappella Clausura conductor Amelia LeClair, the composition expressed her yearning for hope and redemption.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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This splendid book should be read by every child and adult who is convinced he doesn’t “fit in.”
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These films might not often directly address the looming menace of Russia, but the tragic history shared by the countries shadows even their moments of happiness, levity, and hope.
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The Boston Philharmonic Orchestra was violinist Liza Ferschtman’s equal partner for much of the performance, imbuing Alban Berg’s dense orchestral writing with warmth and shapeliness
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues