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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Over the course of Neil Young and Crazy Horse’s two-hour show the tension between magnificent creativity and near collapse were palpable.
Made over 100 years before the current marketing phrase went abuzz, 1304 Massachusetts Avenue is a charming example of a true immersive retail experience.
Sir Simon Rattle revisits the music of Benjamin Britten and Elim Chan once again draws on her remarkable ear for detail.
“Soul & Salvation” is a short album, and you’ll be sorry when it’s over. It’s hardly an essential album in Dizzy Gillespie’s long discography, but you won’t regret giving it a listen.
What have you done to prevent the end of the world? A quartet of documentaries in this year’s Global World Film Festival offer different answers to this nagging question.
The performance of John Adams’s “City Noir” is swift and characterful, though sometimes pushed perhaps a bit too hard for its own good. The rendition of Leonard Bernstein’s “Serenade” is clear but a bit too safe.
Gary Clark Jr.’s “JPEG RAW” could be seen as an orchard whose far-reaching sonic branches — nurtured by the rich, fertile, and ancient soil of the blues — stretch into jazz, hip hop, and funk.
Book Review: Finding Well-Paid Work After Graduation — The Luck of the Draw
Readers interested in understanding how typical Americans transition from college to work should savor this provocative book.
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