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Concert Review: Four Acclaimed Instrumentalists from Four Corners of the World Return to “As We Speak”

June 16, 2024
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Four players bridged divergent worlds and styles from bluegrass and jazz to Indian and Western classical music while taking virtually no time to lock in together.

Book Review: “Thom Gunn: A Cool Queer Life” — A Poet Who Spoke to Unbearable Loss

June 15, 2024
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This is not a dry, academic look at Thom Gunn’s life: the biographer supplies a loving — though at times unflinchingly honest — view of the self-punishing poet.

Author Interview: Tiya Miles on Empowering the Memory of Harriet Tubman

June 14, 2024
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Many of us think of Harriet Tubman as a lone heroic figure. But the truth is she was never alone; she did things that other people did not do.

Design Review: The Stephen A. Schwarzman College of Computing — An Elegant Addition to the MIT Campus

June 13, 2024
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Political attacks aside, MIT’s Schwarzman College of Computing is a contemporary jewel of a building.

Weekly Feature: Poetry at The Arts Fuse

June 13, 2024
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This week’s poem: Kenton K. Yee’s “Bloodhound Astronomer”

Book Review: “The Sixth Extinction, Tenth Anniversary Edition” — Still Essential

June 12, 2024
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Today, Elizabeth Kolbert’s book remains an important reminder of what is at stake — nothing less than the future of life on earth.

Children’s Book Reviews: Belonging — Family and Friends

June 11, 2024
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Three new picture books offer help for kids wanting to be perfect, giving feedback, and finding your place in the world.

Doc Talk: Movies on Loss and Recovery at the Provincetown International Film Festival

June 11, 2024
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A trio of films in which certainty and security have been disrupted and people must make the best of what remains.

Book Review: “Clete” — A Whodunit in Masquerade

June 10, 2024
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James Lee Burke’s “Clete” is Beat poetry, suffused with sadness and longing for all those sunsets now gone.

Visual Arts Review: “Hana Miletić: Soft Services” — The Power of Folds

June 9, 2024
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In her insightful commentaries and art, Hana Miletić demonstrates how labor and materiality reflect subtexts of power, ranging from the “soft” to the “hard.”

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