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When it comes to defining American music, Pacifica Quartet’s new recording offers some welcome food for thought.
Beyond rich allusions to the past, Jeremy Frey and his generation of basket-makers are also creating objects that will leave your eyes spinning.
Like the iconic series it covers, “After Baywatch” is all gloss, an airbrushed look at a show about sexy lifeguards.
The performances in Mountains are astounding, and Monica Sorelle’s sure-handed direction heralds a new and formidable talent.
In her fine book, Lisa Volpe examines mid-’50s picture-making expeditions taken across the U.S. by photographers Robert Frank and Todd Webb.
“It’s not just some generic ‘evil’ “The Arsonists” protests, it is willful blindness to fascist and authoritarian agendas. Denial and hiding behind “bourgeois” comfort is the theme.”
It has been over 20 years since Incubus released its acclaimed album “Morning View”. The band has re-recorded it under the name “Morning View XXIII”.
Juventas’s commitment to classical music in the present tense makes it the only professional ensemble of its kind devoted specifically to the music of emerging composers.
Given the age of the recordings and peculiarities of the venue, the sound quality is very good — certainly more than good enough given the historical value of the amazing music captured therein.
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