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Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
Choreographer Heather Stewart’s use of the stage space, while not “immersive” by the standard art world definition, is inventive and meaningful.
Director Jamie Lloyd’s loud and brash revival is all sound and fury, signifying nothing.
It is a great gift that the Gardner Museum has made such a strong and lively exhibition, presented exclusively in Boston, devoted to Manet.
“The Old Country” is a wonderful addition to the Keith Jarrett discography. There are no stale leftovers here — this album adds a whole new course to the pianist’s extraordinary banquet.
This week’s poem: Serhiy Zhadan’s “What was supposed to happen”
“My goal is to play these wonderful venues and also be close to home so I can have time in the morning with my daughter. I marvel at living in New England.”
The performance of the Jerusalem Quartet was marked by considerable poise, polish, and personality.
Memory – elusive and essential, tormenting and inescapable – serves as a theme for several of the documentaries in this year’s BJFF.
Just weeks apart, two different groups have made their way to Boston on international tours – without Robert Fripp but with his blessing – their shows focusing on a specific era of King Crimson’s existence.
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