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A fascinating adaptation, well worth the trip to out-of-the-way Chester, MA, TURN OF THE SCREW is never less than interesting and often all-absorbing — especially when actress Allison McLemore lets loose.
On bad days, I tell people that as far as I’m concerned, New York museums can all go to hell until one of them gives more substantial attention to Fairfield Porter as well as to give a solo show to Jane Freilicher.
“The main idea I’ve been working with is what I call the longevity revolution.” — Theodore Roszak
QUEEN TO PLAY is an offbeat feminist fable, set in a gorgeous but dirt-poor and provincial part of Corsica.
The Chester Theatre Company’s production, directed by Ron Bashford, runs over two hours with nary a dull moment and the actors seem to be having as wonderful a time as the audience.
“Page One” is quite interesting but also quite scattered. You’ll exit the theater knowing a couple things about the New York Times, and maybe feeling like you got an idea about the characters of some of the talented, humorous, and interesting personalities that put it together.
The production is set in France of the 1920s and artfully combines evocations of both Paris and the Forest of Arden: The city of lights is represented by miniature versions of famous landmarks: the Arc de Triomphe; Notre Dame, the Eiffel Tower — that twinkle at night and serve as props as well as set.
Nothing would please me more than to believe the announcement made last week by the Van Gogh Museum, saying that one of the paintings in the museum that has always been called a self-portrait by Vincent van Gogh is in fact a portrait of his brother Theo
The theme of fading passion would have been enough. It is the theme of many a love story. It would have been enough for this chess story. But author Robert R. Desjarlais won’t let it be enough.
Book Review: Violence, a la the Freudian and Biblical canon
Short Fuse thinks Russell Jacoby’s “Bloodlust: On the Roots of Violence from Cain and Abel to the Present” is an unconvincing mix of refurbished Freudianism and Genesis.
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