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The Steve Kuhn – Sheila Jordan partnership has been one of the luckiest things ever to happen to either of them, or for us as listeners.
Read MoreClassical Music Review: Worcester Chamber Music Society — A Deeply Memorable Evening of Music Making
The Worcester Chamber Music Society’s combination of repertoire demonstrated how creative programming can lead to highly satisfying musical results: each piece had something to say to or about its neighbors and the cumulative effect of hearing them in such a context made for a deeply memorable evening of music making.
Read MoreThis is the fourth installment of Debra Cash’s coverage of events associated with the Institute of Contemporary Art’s Dance/Draw exhibition.
Read MoreFor a polarized nation, both pre-occupied and Occupied, the musical “Angel Reapers” is an inspiring Shaker gift.
Read MoreWendy Artin is not just about representation. Her paintings bring up all sorts of questions about the complexities of beauty. How do we build up beauty from matter? What happens to beauty over time? Does an object lose its beauty when time wears away at it?
Read MoreThe Boston Jewish Film Festival saves one of its best films, “Mabul,” for last, and some final thoughts on this year’s line-up of movies.
Read MoreEssentially, Kaiser’s plaint about the vanishing critic is useless because he, and so many other cultural kingpins worried about the end of professional criticism, offer no solutions.
Read MoreMore comments on the films in this year’s Boston Jewish Film Festival, including “Dolphin Boy”, an uneven documentary about dolphins and healing, and “Dusk,” one of the finest films in the festival.
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