Dance
This week, Devon Carney was named Artistic Director of Kansas City Ballet.
The ebullient entertainer Maurice Hines held court this week at a packed Cutler Majestic Theater, along with a score of other very talented musicians and tap dancers. What an evening!
Yes, there is dance in New England this summer, but those who love motion may need to embark on a little themselves to journey further afield to watch it. The trip, I can assure you, will be worth it.
Frederic Franklin was the repository of much of the tradition of 20th century ballet, and he carried on these values by personifying the essence of the genre.
In George Balanchine’s Serenade and Symphony in C and in Wayne McGregor’s Chroma, architecture comes to the fore, but not exactly conveying the message that company director Mikko Nissinen seems to have intended.
Chhandika is dedicated to keeping the intricate and expressive art form of Kathak dance relevant to contemporary audiences, particularly to those who are not familiar with the Ramayana.
Don’t be late for a very important date when the Coolidge Corner Theatre hosts a Sunday morning, high-def broadcast of the Royal Ballet’s production of Christopher Wheeldon’s celebrated “Alice’s Adventures in Wonderland” on May 5.
Maria Tallchief forever changed the idea of what it meant to see America dancing.
In her recent program at the Boston University Dance Theatre, Corbett riffed on the eerie, 1967 Diane Arbus photograph of identical twin girls in Roselle, New Jersey.
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