Dance
Now 58, the noted choreographer’s succinct gestural language, coincident use of music and musical ideas, and spatial elasticity is now completely second nature.
“My first order of business is to do a listening tour. I will have the same question for everyone I meet: what do you need to do your work?”
If you know Swan Lake, there will be few structural surprises. Girl turned into swan, prince falls in love, prince gets fooled, they both feel really terrible, and die.
An evening with Pilobolus is among the most viewer-friendly of dance experiences.
One of the reasons audiences and funders love Kyle Abraham’s work is that the layered landscapes of his dances resonate with the fraught conditions outside the theatre.
Doug Elkins’ take on Othello is entirely of our era, when domestic abuse is finally a public discussion and a complex story of betrayal can be conveyed with pop culture efficiency.
In red gloves and dark glasses, popping and locking, the Wondertwins are both imposing humans and robotic objects, organic and mechanical reproduction.
Mark Morris’ choreography for his 18-member ensemble alternates between joyful ring-around-the-rosy and contra dance circles.
Carrying cacti around the stage in boxes and placing them on their heads and in predictably suggestive positions, the Boston Ballet dancers looked like they were having a blast
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