Dance
I wondered why the Elders Ensemble program so consistently portrayed the elders as somber and withdrawn.
MOMIX proffers something for everyone: acrobatics, dance, theatre, and delightful visual deception.
The three choreographers used the streams of sound as an opportunity to provide floods of movement challenges to the terrific dancers of the company.
RUBBERBANDance shares some elements of the new-circus genre: a set of very specialized and spectacular physical skills, and the idea that although circusy movement can bombard the audience with thrills, it can also imply human relationships.
Featuring seven short dances by stellar choreographers of contemporary dance, the Harvard Dance Center’s spring program promised some rare enlightenment.
“It takes a special choreographer to make audiences laugh, reflect, and empathize.”
Moses(es) has many layers of metaphor and suggestion, but the surface is always visually intriguing, musically imaginative
There was more than one reference to Alvin Ailey himself in Odetta, recalling Ailey’s frequent use of a female protagonist and his choices of other noted black artists as inspiration.
Boston was first introduced to ensemble taiko in 1975, when members of the Japanese group Kodō crossed the finish line of the Boston Marathon and moments later performed.
The Golden Dragon Acrobats’ Cirque Zíva is part dance, part acrobatics, and 100 percent spectacle.
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