Dance
I’d seen all of these works on the Boston Ballet’s program once or twice in the past. They all seemed to improve with these additional viewings.
Paradise Lost’s Replay is nothing if not exuberant.
Koubi’s piece overturned expectations in so many ways it could be called innovative, groundbreaking.
Kelley Donovan & Dancers returns to Boston with a production that challenges the emotional and physical resilience of the human body.
The rapturous reaction to Boston Ballet’s performance on Sunday afternoon demonstrated that this kind of work can still move an audience.
Brian Seibert’s history of tap dancing has unleashed something I can only describe as a tap world pissing contest.
Introduced by gigantic moving set-pieces and robots with prison searchlights for eyes, Bolt often looks like poster art.
Sunday afternoon’s hourlong program in BB@Home series took us from the nineteenth century to this very minute.
Women still dominate the dance field as performers and choreographers.
South African choreographer Dada Masilo goes even further into the Swan Lake fantasy: here, the characters, men and women, are all swans.
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