Books
“Black Caesars and Foxy Cleopatras” celebrates Blaxploitation as a positive as well as a necessary turning point in American cinema.
This is a story about jazz that we only think we know: the book challenges our preconceptions with admirable restraint, and generously invites others to build on its work.
“Master Lovers” is written in a lucid, personable style, and the fictional scenes — David Winner’s recreations of history and imagined trysts — are deft, believable, and vividly imagined.
In “On the Road,” Jack Kerouac voiced a longing to be “other.” He achieves this transfiguration in “Pic.”
Newspapers are still our most reliable source of local journalism. Private equity, though, is squeezing the life out of newsrooms as greedy owners cash in.
Author Mark Cantor has been the go-to guy for jazz film for decades: this authoritative book solidifies his position.
The holidays and their aftermath are not always a time of cheer for families. Two recent children’s books provide empathy and understanding.
A death is routinely at the center of Claudia Piñeiro’s fiction, but the corpse sparks provocative questions about the way things are, not just an investigation into finding the murderer.
Singer/actor Yves Montand’s life and career is particularly fascinating because they illuminate a telling difference between the mid-20th century political-cultural milieus of France and America.
Book Review: “The Geography of the Imagination” — Longing for Something Lost
Touted as “perhaps the last great American polymath,” Guy Davenport had a singular mind; never was an artist more deserving of the MacArthur Foundation’s “genius grant.”
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