Books
“There aren’t a lot of roles for Middle Eastern actors in the United States. And it does mean something to me to be able to create roles like this.”
Many historical dramas are content to use the past as a lens through which to view the present, but “Hand in Hand Together” does more than explore how conflicting ideologies influenced the creation of modern Israel. Dramatist A. B. Yehoshua explores the other possible routes history may have taken.
From the Berkshires to Cape Cod, and with a major stop in Beantown, Massachusetts is the place to be for the autumn jazz festival season.
I can say, without equivocation, that Helen Dunmore’s novel “The Greatcoat” is no “The Turn of the Screw.”
The latest play by the celebrated Israeli writer A.B. Yehoshua is a historical drama that revolves around an imaginary conversation between two major political rivals about Zionism and the founding of Israel. Israeli Stage is presenting the American premiere of a staged reading of the script.
In the encyclopedic, fascinating, and intermittently infuriating “The Woman Reader,” author Belinda Jack argues that we should not fear the battle between paper vs. pixels, but value reading and the ways it nourishes a woman’s inner life.
“The Great American Railroad War” reminds us of an inspired journalistic reaction to the crimes of an earlier age of robber baron.
If the poems in “That Said: New and Selected Poems” had been ordered differently, the volume would have made more of its virtues.
Why does Laura Miller feel, given her belief that negative reviews are often useless, that she has to kick criticism while it is down? Why argue against the efforts of a small number of delusional reviewers in major publications who continue to speak fruitless negativity to the indifferent masses?
Book Commentary/Review: Imagine There Are No Negative Reviews — It’s Not So Easy If You Try
Who has taken criticism out of the hands of the “true critics”? Is someone making me read rancid Amazon reader reviews? Where do we look for the “true critics”?
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