Books
Rachel Hadas’ poems present deceptively calm surfaces, like a lake that hides its rich inner life beneath bright reflections of clouds and blue sky.
It may be only a movie, but in his book “Film after Film,” former Village Voice writer J. Hoberman proves he isn’t just a movie critic.
While I believe that merely publishing these days is an act of entrepreneurial legerdemain, I direct you to a pair of Canadian poets who have gone one step beyond.
Director Peter Jackson in his film adaptation of The Hobbit abandons the intimate scale of the original wonder tale and mistakenly blows it up into mythic proportions.
Antonio Tabucchi’s “travel book” transcends conventional literary forms: his stories occupy an attractive space between fiction and non-fiction, poetry, biography, short story and journalistic travel piece.
This translation of “Poems of Consummation” is important for several reasons, one of which is that the 1977 Nobel prizewinner—despite the award—has long been insufficiently preeminent in our Anglo-American view of twentieth-century Spanish poetry.
This fascinating book ends, leaving the reader with all sorts of questions — but that is exactly what really good fiction always does. Opening our minds, etching characters in our imaginations, and generating all sorts of possibilities.
This meticulous biography of Anglo-American poet Denise Levertov is the labor of many years and of deep reflection and care.
This Judicial Review deals with the Boston premiere of John Harbison’s opera version of F. Scott Fitzgerald’s novel The Great Gatsby. Read the reactions and join the conversation.
Deadpan sarcasm perfectly pitched, absurdity of target (and publisher) punctured with a minimum of muss and fuss.
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