Books
An exciting complement to the new book is a traveling retrospective of Hou Hsiao-hsien’s films, a rare opportunity to see 19 of the director’s movies shown on 35mm film: at Cambridge’s Harvard Film Archive through November 2.
How well Conversations with Beethoven works as fiction will depend on the engagement and imaginative powers of the reader.
Lila is an ambitious book that is deeply flawed and not nearly in the same class as Marilynne Robinson’s Pulitzer Prize-winning novel Gilead.
Otto Dov Kulka’s exploration of the time he spent in Auschwitz as a child won the 2014 Jewish Quarterly-Wingate prize, one of the judges calling it “the greatest book on Auschwitz since Primo Levi.”
A People’s History of the New Boston takes the “grassroots” view and tries to give overdue credit to the role that community activists and neighborhood residents played in building the “New Boston.”
The Witch-Hunt Narrative is an extremely important book about an ongoing phenomenon that will not go away anytime soon.
In The Days Trilogy, Expanded Edition, H. L. Mencken comes off as a marvelously mellowed master, his trademark savagery smoothed over, its energy focused on generating a pungently picturesque vision of a vanished America.
In F, vertigo is often palpable. Evil exists. “The terrifying beauty of things” does, too.
Elizabeth Harrower’s In Certain Circles is a stunning novel about class and marriage and power; Can Xue’s The Last Lover is a tedious surrealistic farce.
In this book, Boston College historian Heather Cox Richardson explores the (d)evolution of the Republican Party from its founding in 1854 through the presidency of George W. Bush.
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