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Perhaps it is not so much that the characters are thinly developed but that it is hard to make them out through the scrim of their Dostoevskian lucubrations.
In four jam-packed rooms, in paper, acetate, and select video sequences, Snow White and The Seven Dwarfs: The Creation of a Classic deconstructs the film’s artistic and technical achievement.
Jobs is not an awful movie so much as an awkward one — it falls short of its intent, which I assume is to dramatize the tenacity of genius.
If you’ve been thinking of visiting The Mount, the sumptuous writer’s retreat Edith Wharton built for herself in the Berkshires at the turn of the twentieth century, now is the time.
Arts Fuse critics select the best in music, theater, visual arts, and film that’s coming up this week.
If the music that can touch you so deeply with so few notes weren’t so magical, there’s also Emahoy Tsegue-Mariam Guebru’s fascinating back-story.
Nothing is going to be done about the appearance of the review in the Boston Globe. The reasoning is that, because the newspaper didn’t send its own critic, it hadn’t broken the ban. This is inconsistent and disingenuous.
We stirred in a number of scrappier shows at more experimental venues and were treated to Edinburgh’s wild and wonderful arts extravaganza.
My point is that whatever distinguished District 9 and made it so special is entirely absent from director Neill Blomkamp’s blockbuster, Elysium.
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