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It is impossible to think that anyone could have been exposed to David Lynch’s work — its generous vision, so far-reaching in its scope, so recognizably rooted in the modern human condition — and not come away changed, haunted, and awed.
In a production filled with emotional intensity, Audra McDonald delivers a powerhouse portrayal that elevates a somewhat uneven staging.
The power of cinema persists at the Boston Festival of Films from Iran.
Few could doubt this satire’s relevance, given the alarming results of November’s election: a convicted felon, whose minions lean into racist and sexist tropes, is back in the White House.
Another excellent recording from the “Rossini in Wildbad” festival, with spellbinding vocal performances by Congolese tenor Patrick Kabongo and other powerful young singers.
Adapting such a monumental work, a novel that is loved by so many, is both ambitious and risky.
This week’s poem: Clara Burghelea’s “How to resist gluttonous grief”
The book marks a marvelous entrance by an important new heroine onto the mystery stage: a drag queen, who goes in and out of her drag character as she investigates the murder of a friend.
For those who are new to rom-coms, “Falling in Love at the Movies” is an informative introduction to their mechanics.
At its best, this script offers an opportunity for audiences to cast a backward glance at the first stirrings of dramatist Lynn Nottage’s prolific canon.
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