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Stage Review: Not much of a “Cakewalk”

March 5, 2016
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An air of anachronism hangs over the ZSC production of Cakewalk, particularly regarding its treatment of racial and social issues.

Theater Review: “Rhinoceros” on Newbury Street

March 5, 2016
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With conformity on the march, Ionesco’s Rhinoceros remains as timely as ever.

Theater Review: Reasons to Love the Maly Drama Theatre’s “Three Sisters”

March 4, 2016
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I’m deeply grateful to Arts Emerson for bringing the Maly Drama Theatre to Boston and hope for more.

Film Feature: Icelandic Culture Invades Boston

March 4, 2016
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This year’s Taste of Iceland is bringing in only one film, Rock in Reykjavik, and it is screening only once.

Film Feature: Talking to Author Kim Barker About “Whiskey Tango Foxtrot”

March 3, 2016
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Whiskey Tango Foxtrot is based on Kim Barker’s account of her experience as a journalist and single woman in Afghanistan.

Dance Review: Russian Romantics — John Cranko’s “Onegin” at Boston Ballet

March 3, 2016
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The rapturous reaction to Boston Ballet’s performance on Sunday afternoon demonstrated that this kind of work can still move an audience.

Rethinking the Repertoire #7 – Christopher Rouse’s “Phantasmata”

March 3, 2016
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Christopher Rouse is a tough composer to pin down and that stylistic unpredictability has, in part, provided his music notable expressive breadth.

Fuse News: Arts Emerson Presents a Magisterial “Three Sisters”

March 3, 2016
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This is a beautifully directed staging (by Lev Dodin).

Book Interview: Edgar Allan Poe — America’s Maestro of Suffering

March 2, 2016
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The Annotated Poe invites readers to take a fresh look at Edgar Allan Poe and his far-ranging artistic legacy.

Rethinking the Repertoire #6: Felix Mendelssohn’s “Die erste Walpurgisnacht”

March 1, 2016
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Felix Mendelssohn remains one of the West’s most underrated composers.

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