Posts
Let’s just say that there’s more than just absurdity for absurdity’s sake here — this is an exercise in wry Swiftian satire.
The documentary Dark Horse is all cliché and yet it’s OK.
Audiences for Liz Callaway can expect to hear faithful interpretations of these now familiar hit songs, but also expect the unexpected.
Tim Winton’s memoir about how deeply Australia’s landscape shaped him and his writing.
Library of America’s anthology War No More explores a distinctively American tradition of antimilitarism.
Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
That Shostakovich left such a musical testament is, in its own way, miraculous; and it continues to speak to us with immediacy and power.
Chevalier is a hilarious but unapologetic glimpse into bad behavior among men who fancy themselves among society’s elite.
At the Lyric Stage Company, Peter and the Starcatcher charms, but doesn’t quite take flight.
Classical Music Commentary: Boston’s Lost Opportunity — How the BSO Board Chose Charles Munch over Leonard Bernstein