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This company of highly talented collaborators asks: “What is it about our collective psyche that fastens on so tightly to guns?”
To speak with Jörg Widmann is to encounter a mind furiously at work and aware of his craft as viewed through the lens of Western history.
The Lost Songs of St. Kilda is a disc that’s simple but profound, beautiful and enduring.
It is unlikely that any other BSO concert this year will top Thursday night’s performance of Richard Strauss’s opera Der Rosenkavalier.
Something clicked when I visited the MFA’s diminutive but brilliant new exhibition of Terry Winters’ works on paper.
Dissolution is a mysterious, and constant, element in Diana Al-Hadid’s vision.
This is a galvanic production that stirs the spirit and demands that we reflect on what the script says about our own time, our own struggles.
“If you’ll excuse me for being cheeky, it’s a collaboration between the players on stage and Beckett’s works.”
Cultural Commentary: Wells Fargo — Let Them Eat Art
Is truth and beauty served when the arts just take the money from the big banks and run?
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