Posts
To Sleep with Anger is a masterpiece, a powerful reminder that, however seductive the devil might be, he can be overcome.
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Richard Pittman led the core players of BMV in a confident, evocative reading of the music.
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The Boston Lyric Opera is mounting a fabulous staging of Benjamin Britten’s visceral opera.
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Hal Blaine contributed so much to such a large number of rock and pop’s greatest hits, that his music will continue to be heard and appreciated for as long as there are radios.
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Whom can we thank at the Boston Symphony Orchestra for choosing James Carter to be the featured saxophone soloist in March 23’s concert at Symphony Hall?
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Music Director Martin Pearlman had the excellent idea to cut out 6 of the 24 arias to make Jephtha move along, and it paid off.
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The Bird King is an utterly lovely reading experience.
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William Forsythe asks dancers to go beyond their mastery of technique — in order to have the music move audiences to a higher level of emotional involvement.
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A 1962 concert performance from Radio Italiana, now on CD, shows how delightful Wagner can sound without barking and slow wobbles.
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The Flesh Eaters have returned with renewed vitality, after it hit some troughs and sputtered to a near stop.
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