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Two art exhibitions in New York should be seen multiple times. Each will deepen your appreciation of a great artist. Neither is mobbed with visitors. Each, in this wildly overpriced city, is absolutely free.
A trio of companies — Barrington Stage Company, Great Barrington Public Theater, and, to a lesser extent, Berkshire Theater Festival — draw on the stage’s power to address our current political emergencies.
If the destiny of documentaries is to become celebrity profiles, it could do worse than those screening at this year’s PIFF.
The film offers some intriguing twists and turns, and the excellent cast propels the narrative forward admirably. But the screenplay tries a bit too hard to dramatize character transformations in a short period of time.
The magic in Eliane Elias’s performances is in how easily she slips from one musical dialect into another.
Surprisingly, the 17th- and 18th-century drawings and prints in “Pastoral on Paper” proffer bold experiments in charcoal, chalk, and gouache.
Like her sisters in the art of crystalline complexity, Australian poet and novelist Antigone Kefala persevered through years of isolation, obscurity, and critical neglect.
Once again, Tony voters proved that quality and integrity still matter.
Artist Remembrance: Brian Wilson — An Appreciation
Brian Wilson’s clear falsetto voice may be stilled but his amazing trove of timeless music lives on.
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