Posts
Helen Gillet’s music welcomes loops of all sorts and plays with the happy accidents that create new melodies and rhythms that reach beyond borders.
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All three episodes have intriguing storylines, with plenty of human pathos and drama: but I admit to finding the first and third episodes a bit too digitally-focused for my taste.
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This wide-angle richness — a world filled with things to do, myriad side-distractions — is the mark of exceptional game design.
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Peter Schjeldahl debunks (and praises) works of art, while also acknowledging the strategic importance of beauty.
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Director Howard Hawks’ signature statement was the depiction of the American (or mostly American) male group with a task to accomplish.
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The guy who once seemed dangerous and mysterious as frontman for Jane’s Addiction proved earnestly accessible to fans.
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Perhaps this review is an autopsy for which I offer an apology.
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For all its bite, Fall is oddly endearing, too, leavening its harsh portrait of money-madness with aw-shucks moments of solidarity and kindness.
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From the Editor’s Desk: We Turn Twelve — The Future of the Arts Fuse
This funding means that The Arts Fuse will be cranking out the kind of arts coverage you have come to expect for a good time to come.
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