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On Remedy, Gozu sharpens and refines the strengths in its earlier recordings as it infuses into these new songs a finesse that doesn’t undercut the power of the music’s brute force.
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Jonathan Berger’s remarkable chamber opera about the Mỹ Lai Massacre is a powerful artistic and anti-war statement.
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Among its many virtues, this archival live release from Stephen Stills reminds us of an era when great music was human-generated — written and performed with love.
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There is little doubt that Joyland‘s subject matter is what drew international attention.
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The documentary tries to tell the story of the real Anna Nicole Smith, but it falls short.
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It features fine performances, but the comedy-drama, You Hurt My Feelings avoids placing too much on the line. It exists in a comfortable middle ground — nothing is ever taken to an extreme.
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The dehumanization in The Little Mermaid is not just a matter of the absence of craft; at heart, this is a cynical investment that can’t transcend its craven essence.
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Now an octogenarian, Ian Hunter remains a gifted songwriter, a distinctive vocalist, and a man who truly has a rock and roll heart.
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The Prom’s greatest strength is how the musical can be, almost simultaneously, satirical, hilarious, and nuanced.
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A documentary about the female band Fanny asks why the talented LA hard rockers missed out on the big time.
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Arts Feature: Best Movies (With Some Disappointments) of 2025