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Book Review: “Poverty, by America” — Ignoring the Real Problem

June 30, 2023
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Conservatives will sneer at Poverty, by America, for all the usual reasons. But serious leftists will too — not because of the facts it presents, but because of the platitudes that accompany them.

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Film Review: “In the Company of Rose” — The Rich Life of Rose Styron

June 30, 2023
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James Lapine’s charming documentary explores the life of Rose Styron, who at the age of 96 still reigns as the undisputed queen of “The Vineyard,” as she calls it.

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Theater Review: “The Lehman Trilogy” — The Trials and Tribulations of the Mercantile Class

June 29, 2023
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The Lehman Trilogy is epic in its proportion and ambitions, so it is ironic that it sacrifices opportunities to probe troubling topics.

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Film Reviews: Tribeca Film Fest Docs 2 — A Troubled Swedish Family, Rock Hudson, and More

June 29, 2023
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More reviews of noteworthy documentaries at this year’s Tribeca Film Festival.

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Theater Review: “Photograph 51” — Connecting the Dots

June 29, 2023
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Anna Ziegler’s play is based on a true story that still resonates powerfully: how science (and society) hides uncomfortable truths.

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Weekly Feature: Poetry at The Arts Fuse

June 29, 2023
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This week’s poem — Ruth Lepson’s “They Came And They Went.”

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Television Review: “I’m a Virgo” — Weird, Funny, Radical, and Poignant

June 28, 2023
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Along with its oversized fantasy, I’m a Virgo comments on Black bodies, capitalism, and socioeconomic barriers.

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Book Review: “Open Throat” — Animal Talk

June 28, 2023
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It’s really a feat — to meld the imaginary with the truth, but Open Throat does it just smashingly.

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Concert Review: Friday and Saturday Night at WasFest — Reanimating the Past

June 27, 2023
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WasFest was a unique spread of mostly Blue Note artists covering classic albums of either their own or their inspirations, and the first two nights offered a range of jazz permutations.

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Concert Review: Judith Hill, Lettuce, and Steel Pulse at WasFest — Paying Homage to the Classics

June 27, 2023
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WasFest is a very welcome addition to Boston’s arts landscape, invaluable because it invites artists to push themselves forward while they acknowledge their still powerful influences.

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