Posts
The Chameleon Arts Ensemble shed new light on Ernest Chausson’s quartet in A major, Op. 30, the very model of Belle Époque verve and melodicism.
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This thoughtful documentary watches cinemas vanish from a Brazilian city.
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The takeaway from “The Devil’s Treasure” is that everything under consideration in this unique project is somehow beautiful, even when seemingly pained.
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These three books celebrate different kinds of gifts: two from nature — and one that comes via the post office.
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To this day, attend any metal or heavy-music show in the Northeast and you are bound to see someone sporting a t-shirt or hoodie emblazoned with the iconic Sam Black Church cross-on-triangle logo.
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Even before the lights come up on the remarkable new production by Moonbox Productions, it is clear that this is a “Sweeney Todd” of a different order.
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“Killers of the Flower Moon” is an exercise in kaleidoscopic, cubist storytelling that is, among other things, an epic on the art of the grift.
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Strangely, Paul Landis makes no acknowledgment of the implications of the evidence he attests to, namely that neither Lee Harvey Oswald nor any other single gunman could have acted alone.
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Arts Commentary: More Cultural Coverage — But Less Culture?
The journalistic value of blathering out weekend tips to the ears of the comfortable in a social media world awash with likes is dubious.
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