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Coming Attractions in Film: February 2010

February 1, 2010
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By Justin Marble Feb. 5-9, Recent Raves at the Brattle: Left out of the film talk at your last dinner party? Here’s your chance to get caught up. The Brattle is hosting a week of some of the best films of 2009, sponsored by the Boston Society of Film Critics. Harder to find titles like…

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Coming Attractions in Jazz: February 2010

February 1, 2010
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There may not be any Lester Young tributes scheduled for Presidents’ Day, but the entire month of February is nothing less than a valentine to jazz piano. By J. R. Carroll Pianist Jason Moran hasn’t yet encountered a piece of music (or even raw sound) that he couldn’t transform into a jaw-dropping improvisation. Johannes Brahms,…

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Coming Attractions in Theater: February 2010

January 31, 2010
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A recent piece in the New York Times provides further proof of the increasingly pernicious stranglehold marketing exerts on the production of new voices in the theater. By Bill Marx Let’s face it—the fastest growing segment of non-profit hiring in the arts over the past decade or so, marketing, is now pretty much in the…

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Classical Music Sampler: February 2010

January 31, 2010
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By Caldwell Titcomb Feb. 3, 5, 6: The Boston Lyric Opera (BLO) stages Benjamin Britten’s “Turn of the Screw,” based on Henry James’ tense ghost story. Conducted by Andrew Bisantz. The singers and production staff are all making their BLO debuts. The Castle at Boston Park Plaza & Towers, 130 Columbus Avenue, Boston. 7:30 p.m.

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Theater Review: ‘4:48 Psychosis’

January 30, 2010
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This Rhode Island theater merits praise for its courage in staging dramatist Sarah Kane’s highly unorthodox portrayal of severe depression. 4:48 Psychosis by Sarah Kane. Directed by Tony Estrella. Presented by The Gamm Theatre, Pawtucket, RI, through February 7. Reviewed By Caldwell Titcomb The Gamm Theatre in Pawtucket merits praise for its courage in staging…

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Classical Music Review: BMOP’s ‘Band in Boston’

January 26, 2010
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by Caldwell Titcomb Time was when Boston had a City Censor, and books and plays drummed up trade by getting “Banned in Boston.” The Boston Modern Orchestra Project, headed by conductor Gil Rose, came up with the deliciously punning title “Band in Boston” for its Jordan Hall concert on January 22. Indeed there was not…

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Literary View: Poetry Slams in the 21st Century

January 23, 2010
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By Kate Vander Wiede The Cantab, as the regulars called The Cantab Lounge, is like a quirky not-quite-speakeasy complete with a narrow stairwell leading below street level and smoke-perfumed attendees. This night, bass chords shake the ceiling, courtesy of the band headlining one floor up. Dim lights hardly illuminate the cramped room, which is lined…

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Visual Arts: Rembrandt’s Imagination

January 23, 2010
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I envision Rembrandt with chalk or pen always at hand, sketching from life and imagination constantly. This is also how he taught his pupils, who like him also produced numerous drawings related and unrelated to paintings or prints. Why do so many experts disagree? By Gary Schwartz In an earlier column I illustrated a large…

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Classical Music Review: Cantata Singers

January 18, 2010
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By Caldwell Titcomb The Cantata Singers, founded in 1964, has for 27 years had David Hoose as its Music Director. This year Hoose chose Heinrich Schütz (1585-1672) as the composer to be featured in all four of the season’s concerts. There were numerous fine composers working in the seventeeth century, but Schütz is the greatest…

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Visual Arts: At Rembrandt’s Core, The Drawings

January 16, 2010
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How many drawings by Rembrandt are around? More than many experts admit. The issue is not just a quibble over numbers. It has far-reaching consequences for our reconstruction of Rembrandt’s working method and our understanding of his art. The showdown is coming at a conference on the artist at the J. Paul Getty Museum in…

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