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In India, dosas are cooked on a griddle in the street, as well as in restaurants and homes. As street food goes, the dosa gets high marks. It’s not junk, and it tastes great. The Dosa Factory in Central Square, subtitled “Indian Street Food,” is a hole-in-the-wall–not for an evening of food and talk. But that’s not what street food is. It’s a quick fix, and for these purposes, it’s about as good as it gets.
Read MoreYour reaction to PigPen Theatre Company’s “The Mountain Song” will depend on how much whimsical Americana you can stomach
Read MoreThis is adversarial criticism, with an eye on the martyred, fueled by grievances political and aesthetic — the return of the repressed as the comeuppance for the comfortable. No wonder Roberto Bolaño’s reviews garnered him fierce detractors as well as admirers.
Read MoreHonors for a Boston jazz institution and distinguished guests joining the Makanda Project highlight New England jazz in June, along with piano duos, CD releases, visitors from New Orleans and Senegal, and a genuine supergroup.
Read MoreThere are wonderful, beautiful things about The Tree of Life. But despite being innovative and important, despite inspiring awe, it envisions a kind of transcendent greatness that it itself does not quite embody. Tree of Life. Directed by Terrence Malick. By Taylor Adams. Nothing if not prophetic, director Terrence Malick quotes from The Book of…
Read MoreMost great novels generate an organic imaginative vision rooted in a sense of inevitability in the way they unfold; Chris Adrian’s THE GREAT NIGHT loses some steam because it fails to coalesce, to concentrate its myriad energies.
Read MoreTwo New York stage productions offer sterling examples of going maximalist in an increasingly minimalist age
Read MoreUpdated: The 2011 festival season opens with big doings in Burlington, Cambridge, Brookline, New Haven, Manchester, Boston, Middlebury, Marblehead, Somerville, Worcester and North Adams
Read MoreIf the verse in UNSEEN HAND refuses triumphant fictions, there is an attentive, persevering dignity in its preference for seriality. Because these recurring poems recreate our being in the world, they are powerful tools for returning to it.
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Arts Commentary: Can Criticism Be Too Positive Too Often?
How much do you really know about a critic if all you have on record is what he or she likes and why? At some point staying mum about the negative looks less like tenderhearted support or good manners and more like cowardice or a lack of seriousness. By Bill Marx The news that veteran,…
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