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“The Substance” is the most insane midnight movie you’ll see in a multiplex in 2024. Needless to say, I loved it.
Read MoreRock Album Review: Galaxie 500, “Uncollected New York Noise 1988-1990” — Expanding the Band’s Legacy
Through it all, the members of Galaxie 500 have stayed true to the idea of “indie” as a personal and political vision rather than a mere genre tag.
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Reviews of three shows seen during a trip to Ireland and England — Shakespeare at London’s Globe and “Dublin Oldschool” and “Riverdance” in Dublin.
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With the release of “Wild God,” his stirring 18th studio album, it seems as if the charismatic poète maudit has achieved, and more impressively maintained, his own version of peace.
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Many of PJ Harvey’s fans at MGM came for a challenging ride, and the performer gave it to them with a stunning show.
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The Toronto International Film Festival (TIFF) had much to offer this year, once you walked through construction debris to get to the theaters. Here are some films worthy of note.
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As the run continues, the torrent of gags will probably settle into place and proper narrative rhythms emerge. But for now, the game’s aground.
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There’s plenty of potential in Tony Meneses’ script about men sharing their inner lives with other men, but it is filled with too many silent types.
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“Library Lion,” wonderfully staged by Adam Theater, marks the arrival of a new and welcome addition to the Boston theater scene.
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This week’s poem: David P. Miller’s “A spider’s overnight web”
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