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Two warhorses of the theater come to town: Shakespeare’s “Hamlet” trots along in the Globe Theatre touring production, while “War Horse” shows off the equine puppet body beautiful.
When you have a spare twenty minutes, grab some headphones and take your laptop to a dark corner to watch and listen to “Ramada Inn.” You will need the extra three or four minutes to compose yourself.
Yes, Ben Affleck took some liberties in “Argo” for the sake of the dramatic arc and a kickass, intense finale. But mostly, the story is so bizarre that it hardly needed enhancement.
Friday’s was the first of a series of strong, interesting programs H&H is offering this season. If its success is any indication of what’s to come (and I hope it is), we should have a very special few months ahead of us, indeed.
It was a rocking night, full of fun and energy. It was intelligent, maybe even a bit brainy at times.
“The Boston theatre community can always profit from international influx. The German theatre scene in particular is quite innovative both in the plays being written and the productions that reach the stage.”
THE ART OF ROBERT FROST helped me get closer to the poems and in doing so helped me get closer to the poet.
For performers and audience members alike the Shalin Liu setting is as much a part of the experience as the music. It has quickly transformed the intimate hall into a destination location for a growing number of admiring artists.
The director of THE MASTER, Paul Thomas Anderson, runs toward Scientology as fast as he runs away from it and its top guns (Tom Cruise did visit the set to lodge a few complaints).
The first episode of the “Blood Rose Rising” series possessed creepy comic potential and an intriguing mix of multimedia, magic, and thrills that hinted at even better things to come. Alas, these hopes were dashed.
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