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Pianist Donal Fox is a classical musician by training, and in style, with a yen for improvisation and, one might add, an unwillingness to let things be.
This anthology, made up of Michael Wolfe’s superb translations of ancient Greek epitaphs, begins in prehistory and ends in the sixth century C.E.
But if a dramatist butchers everything – what will can be put in its place? In the case of “M” it is nothing; nothing I can see or understand.
The serious intentions of “The Company You Keep” are ultimately undermined by the parade of stock cameos.
In her recent program at the Boston University Dance Theatre, Corbett riffed on the eerie, 1967 Diane Arbus photograph of identical twin girls in Roselle, New Jersey.
The emotional peak of the entire night was Bob Dylan’s gently understated performance of “What Good Am I?” from 1989’s Oh Mercy.
No! No Annette. How unfair, the death of the fabulous Annette Funicello!
What Roger Ebert was was a very hard-working, daily journalist who, as he should, watched thousands of movies and wrote about them in a very clear, concise, fairly interesting but obvious way.
“By the Way, Meet Vera Stark” suggests the dismissive attitude the public has toward African American actors, but the script doesn’t go far enough to make its title character three-dimensional.
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