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Both films are intermittently entertaining and display a high level of craft. They’re also blithely mediocre: mainly flash and filigree, vacuous at their center.
Mario Vargas Llosa’s final novel is a sweet, light story about art and idealism—and its ever-present opposite, cynicism.
For a piercing reflection of the times, turn to the Oscars’ Best Documentary categories, in particular, the Best Documentary Shorts.
The eighth iteration of “Which Side?” was a wild success, mixing musical genres from reggae to old-school Boston punk and punctuated by two moving (and brief) speakers.
We’ve lost some fantastic actors in the last few months. Tom Noonan was one of them. He was singularly talented, and unique, and leaves behind a remarkable legacy of good work. Seek it out.
In its first commercial recording, Frano Parać’s “Judita” wrings compelling drama out of the biblical tale.
What you’ll think of this book will likely rest on what you make of the writer’s definition of Black digital Art.
Joshua Harmon’s play offers numerous instances of familial turbulence, moments of rhapsodic relief and — to avoid spoilers — revelations of how guilt and hostility fuse to create irreparable fissures in the family dynamic.
Director Hlynur Pálmason’s latest is an ambitious, artful, but half-baked bagatelle.
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