Posts
Shannon Bowring is a wonderfully wise and compassionate writer, exquisitely alert to the varieties of human experience that exist at the end of the 20th century.
Read More
Not all of Atlanta Symphony Orchestra conductor Nathalie Stutzmann’s ideas about Dvorak’s Ninth Symphony add up, but there is not much to argue with in Czech Philharmonic Orchestra director Semyon Bychkov’s take on Dvorak’s Seventh, Eighth, and Ninth Symphonies.
Read More
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read More
Filled with B-movie puppet antics, “Frankie Freako” is a joyous throwback to the days where you could walk into a video store and rent one of a dozen Gremlins rip-offs about someone’s mundane suburban life being upended by a bunch of little guys.
Read More
We should be grateful for Ohad Talmor’s wide-ranging curiosity, not only because of the detective work he put into the Ornette Coleman/Lee Konitz recordings, but because of his uniquely varied presentations of these mostly unknown pieces.
Read More
This week’s poem: Adeena Karasick’s “On the Uncertain Certain: Negotiating Deepfakes and Shallow Discourse in the Counterpoise of the Unthought”
Read More
It’s a rare treat to hear these three Francis Poulenc sonatas on a single program.
Read More
“I still pinch myself that I got to work with Clint Eastwood. But any anxiety quickly dissipated upon meeting him. He is so cool and calm and funny and easy.”
Read More
A corrupt media lies at the core of “The Seed of the Sacred Fig”‘s powerful condemnation of Iran’s politics, particularly their treatment of women, often in unexpected ways.
Read More
In Godwin Louis’s music, prayer seems best expressed in dance.
Read More