Robert Israel
Many have surrendered to Joy Harjo’s undeniable shamanistic charms and classify her as a national treasure.
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Madeleine George’s uneven 90-minte one-act comedy/drama borrows heavily on Greek mythology to zip up the misadventures of a cluster of suburban women in New Jersey,
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“A lot of censorship in America has to do with the impulse to shut down what women have to say, literally hanging and burning them as witches to shut them up.”
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In the process of exploring the ideas that shaped Lorraine Hansberry’s understanding of her art and the world, the volume confirms the writer’s relevance during these troubled but potentially transformative times.
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The current rage for inserting the personal/confessional in everything from cookbooks to literary criticism can go too far.
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A singular muscularity infuses these short stories, a confidence that astonishes.
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Children Under Fire examines gun violence in America, focusing on how it is threatening our nation’s children.
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Jake Cohen is “modern” in that he takes a contemporary approach at spreading the gospel; he is an expert at using social media.
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The voice in Field Music is disciplined, its cagey earthiness unfailingly engaging our attention.
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Ma Rainey’s Black Bottom is a stellar artistic accomplishment, a blazingly powerful dramatic experience.
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