Robert Duguay
The rising Nashville artist on genre-blending, spiritual energy onstage, and a full-circle live album.
On the recording “AVTT/PTTN,” mutual admiration turns into a bold experiment in form, trust, and sonic space.
As he prepares for Strangecreek, Ryan Montbleau reflects on introspective songwriting, longtime ties to the festival, and music as a form of truth-telling.
Rhiannon “Ritzy” Bryan on solo detours, storytelling onstage, and reigniting the band’s spark ahead of a Boston return.
Musician Interview: Hometown Heroes The Ghouls Honor Black Sabbath at The Town and The City Festival
Ghouls lead vocalist and guitarist George Danahy on honoring Ozzy Osbourne, embracing theatrics, and building momentum on the local scene.
Bassist and songwriter Joseph D. Rowland on revisiting “Foundations of Burden,” perfecting Pallbearer’s sound, and bringing heavy atmosphere to an unconventional venue.
“Art can be heartbreaking, but you don’t have to let it break your heart for it to be good. You just have to have the correct relationship with it, understanding that it is a continual exercise.”
“Vinyl is special because it makes the music less disposable, it makes listening a little less convenient. There is something tactile for people to hold and look at, an object to cherish.”
“Howl” was one of the hardest things Black Rebel Motorcycle Club has ever made. We knew weren’t going to make another album like it unless the spirit really demanded the songs — it raised the bar rather high.
“America hasn’t lost its historical and romantic legacy for British bands. At least that’s the case with us, anyway.”
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