Peter Keough
Like Truffaut, Spielberg, Gerwig, and other renowned auteurs, director Sean Wang has made a deeply felt, funny film that cogently draws on his experiences as a volatile and angsty adolescent.
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A frenetic, funny, foul-mouthed, and sometimes facile testament to the fact that language matters.
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“Green Border” is artful, anguished agitprop.
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Themes of class, race, and artistic appropriation reminiscent of “American Fiction” lurk beneath “Crumb Catcher”‘s generic conventions.
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A profound piece of director Chris Wilcha’s life was being disrespected and threatened with extinction. He had to do something. He had to make a documentary about it.
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A movie about an amateur theater company’s production of a classic play taps into the universal truth of irremediable and ineluctable loss. And there isn’t a dry eye in the house.
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The documentaries “War Game” and “Devo” take up the topic of insurrection, political and cultural.
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A trio of films in which certainty and security have been disrupted and people must make the best of what remains.
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What have you done to prevent the end of the world? A quartet of documentaries in this year’s Global World Film Festival offer different answers to this nagging question.
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Locke’s List for 2025: Notable Operatic Recordings and a Few Non-Operatic Ones