Paul Robicheau
Steve Reich’s 1976 minimalist masterpiece, performed by Ensemble Signal, was a special event to see and hear live.
Shame’s latest record and Monday’s holiday show at the Brighton Music Hall both prove the twin-guitar quintet has matured in sound and spirit while still flashing youthful spunk.
This past weekend, Goose wished fans a festive holiday season with a Victorian-inspired carnival extravaganza.
Wednesday’s show proved that The Dream Syndicate more than honors both its past and present with passion and precision.
The group’s arc over three nights celebrating 35 years clearly followed an upward trajectory, displaying moe.’s improvisational prowess and sense of communal fun.
There was little doubt that the singer owned every note with a pure sense of conviction — and community — that blew past rock-star trappings.
Seasoned fans were most likely to appreciate My Morning Jacket’s generous — if imperfect — sprawl.
One of the best things about the 40-minute selection from “The Lamb Lies Down on Broadway” that stood at the center of guitarist Steve Hackett’s near-three-hour show was its focus on the music without visual bolstering.
At a time when the world’s aflame, David Byrne ignited creative camaraderie, a dazzling experience that lingers in mind and spirit.
Arts Remembrance: Jack DeJohnette — As Much a Colorist as a Drummer
Jack DeJohnette – who died this week at age 83 of congestive heart failure – lorded over his entire kit with loose but incisive strokes to tightly tuned drum heads and cymbals.
Read More about Arts Remembrance: Jack DeJohnette — As Much a Colorist as a Drummer