Paul Robicheau
Stripped of trip-hop trappings, Beth Gibbons’s fragile voice commanded through a ghostly filter effect as she sang with edgy emotion, peaking in the tagline, “How can it feel this wrong?”
Read MoreAnybody at Tuesday’s show who thought the members of Kraftwerk were just punching buttons at their static posts while audiovisuals surged automatically would be mistaken.
Read MoreThe sheepishly affable Trey Anastasio wisely focused on music, allowing him to play a broader representation of his repertoire across two hours and 25 minutes.
Read MoreTimelines bounce a bit through the loosely organized, vignette-rooted book, where the back half casually weaves through a checklist of characters and tales not to be missed.
Read MoreA unique, memorable summit of three intellectually minded luminaries who bridged jazz, classical, Latin and South Asian influences.
Read MoreThe singer/guitarist rolls the dice every night, playing it loose and gritty with drummer Patrick Keeler, bassist Dominic Davis, and keyboardist Bobby Emmett, who deftly hack away at revolving song choices from White’s broad catalog and beyond.
Read MoreThe resolute British singer/actress survived addiction, homelessness, cancer and Covid, which left her in a coma before she completed work on her final album in 2021.
Read MoreJesus Lizard remains one of rock’s most fearsome combos, and this night the veteran band delivered one of 2024’s most memorable shows.
Read More“Joni Mitchell Archives Vol. 4” is rich in what too many box sets skimp on: a wide-ranging spread of live recordings. In this case, they demonstrate how Mitchell’s songs evolved on stage as well as in the studio, documenting a genius at work.
Read MoreNow, at least through mid-December, bassist Tony Levin – also a prolific photographer and blogger on tour — remains happy recasting King Crimson dreams each night with Beat
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