Nicole Veneto
Billed as a queer woman’s spin on “The Shining,” “Bad Things” is a much more entertaining film in concept than it is in execution.
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Without “The Wizard of Oz,” it’s entirely possible that the David Lynch we know and love wouldn’t exist.
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As The Flash crashes at the box office and audiences grow tired of multiverse sagas, creative mastermind Hideaki Anno has delivered two badly needed breaths of fresh air to a genre suffocating under the weight of its own cultural stagnancy.
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Director Ryan Stevens Harris talks about his stunningly cinematic home-grown labor of love, Moon Garden.
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Were the entire film a road tripping adventure between a high school girl and a silly little chair she has to either carry in her arms or lug around in an oversized knapsack then I’d be able to recommend the film with full enthusiasm.
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Local film festivals like BUFF are keeping what’s left of the American film industry from turning into a massive IP holder churning out algorithmically generated slop for the masses.
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Local film festivals like the 23rd annual Boston Underground Film Festival feel like such a balm for the tide of poisonous mediocrity that’s now the standard in our current movie landscape.
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There’s still room for Brandon Cronenberg to grow as a horror director, but Infinity Pool should make his father proud. It’s a sensory nightmare of bodily dissociation and high class decadence that signals a promising start to 2023.
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M3GAN is a movie algorithmically generated to spawn as many memes about itself as possible before undiscerning viewers realize what they’re watching is a reworked Black Mirror draft.
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With Bones and All, Luca Guadagnino solidifies his place as a filmmaking maverick able to bend genre conventions in ways that express his own painfully beautiful artistic vision.
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