Michael Ullman
Free and fluid as it was, the set made memorable sense to the packed crowd at the Lily Pad.
Wadada Leo Smith’s latest album features a series of miraculous performances that give a new meaning to freedom: the sometimes lengthy and airily open improvisations take us on journeys but never seem to wander.
With their expert handling of powerfully understated compositions, this trio’s performances insinuate themselves into your mind and age there like fine wine.
Pianist Fred Hersch’s ballad playing is one of the special treats in contemporary jazz.
Gilbert Kalish’s recital is as distinguished and appealing as one would expect.
“One of the great things about improvisation is that it teaches you the importance of the moment and how to live in that moment and place importance on this life and making this life better.”
The first part of the evening worked: Robert Pinsky was a good enough actor, his poetry was sufficiently transparent, and Vijay Iyer proved to be a brilliant accompanist.
The point of the Spring Quartet, one assumes, is to showcase its four multi-talented members, particularly their talents as composers.
The Matt Wilson Quartet prides itself on variety: the band can play ersatz Indian music, free jazz, and funky rhythm and blues, as well as an occasional touching ballad.
Amongst the acoustic live sessions, listeners should be delighted with the Chick Corea-Herbie Hancock duets.
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