Michael Ullman
Wadada Leo Smith’s latest album features a series of miraculous performances that give a new meaning to freedom: the sometimes lengthy and airily open improvisations take us on journeys but never seem to wander.
Read MoreWith their expert handling of powerfully understated compositions, this trio’s performances insinuate themselves into your mind and age there like fine wine.
Read MorePianist Fred Hersch’s ballad playing is one of the special treats in contemporary jazz.
Read MoreGilbert Kalish’s recital is as distinguished and appealing as one would expect.
Read More“One of the great things about improvisation is that it teaches you the importance of the moment and how to live in that moment and place importance on this life and making this life better.”
Read MoreThe first part of the evening worked: Robert Pinsky was a good enough actor, his poetry was sufficiently transparent, and Vijay Iyer proved to be a brilliant accompanist.
Read MoreThe point of the Spring Quartet, one assumes, is to showcase its four multi-talented members, particularly their talents as composers.
Read MoreThe Matt Wilson Quartet prides itself on variety: the band can play ersatz Indian music, free jazz, and funky rhythm and blues, as well as an occasional touching ballad.
Read MoreAmongst the acoustic live sessions, listeners should be delighted with the Chick Corea-Herbie Hancock duets.
Read MoreOne doesn’t come away from a Wayne Shorter Quartet performance merely raving about individual accomplishments: the set on Sunday night never felt like just a compelling sequence of solos.
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Arts Commentary: Rich in Creativity — But Nothing Else