Michael Marano
“Mission: Impossible – The Final Reckoning” is an honest piece of grand entertainment, not as great as “Mission: Impossible – Dead Reckoning Part One,” but still pretty great.
It’s pretty interesting that we live in a moment in which our comic-book obsessed culture is creating a number of antagonists based on the premise of, “Hey, what if Superman were emotionally stunted and really evil?”
It takes spine to mash things up this boldly, and the bravery of auteur director Ryan Coogler’s storytelling is breathtaking.
Bong Joon Ho’s “Mickey 17” is one of the most vicious, cruel, and savagely arch vivisections of our global economic and socio-political reality since… well… Bong’s 2013 movie “Snowpiercer”.
“The Monkey” is a delightful exercise in black humor.
“Captain America: Brave New World,” which is loaded with potential for drama and commentary, has less weight and punch than a butterfly’s fart.
Ya gotta understand — corporate assholes are like Sauron’s boss, Morgoth. They are incapable of creation. They can only appropriate and warp, like how Morgoth appropriated and warped Elves to create Orcs.
It’s Jeremy Strong’s portrayal of Roy Cohn that hangs in this not-very-good movie like a Rembrandt on the cracked plaster of a La Quinta suite by the airport.
This is a work of towering, masterful, sustained cinematic rage set at the dawn of the Reagan Era.
In “Megalopolis,” we have Francis Ford Coppola, Titan of Cinema, unleashing his undiluted meditation on Roman History, US History, Political Rivalry and Cooperation, Urban Planning, Technology, Love, Marriage, etc.
Recent Comments