Martin Copenhaver
Critical to the success of “Cost of Living” is playwright Martyna Majok’s refusal to resort to tropes about people with disabilities and those who care for them.
Read MoreThe energizing force of this production comes from the students and, more specifically, the cohort of young women in the cast, each of whom is excellent.
Read MoreThis is one of the more engaging pieces of theatre I have experienced in some time.
Read MoreAs satisfying as this incomplete work is — much like Schubert’s “Unfinished Symphony” — we can still regret not being able to experience the completed work.
Read MoreMurder mystery and farce can coexist in the same play… for a time, at least. Eventually, the two will pull apart, however, as they do in this production.
Read MoreAssassinations may be so-last-generation, but gun violence, and what it reflects about American culture and human depravity, defines our own era as much as any.
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Arts Remembrance: Tribute to Jazz Producer Alex Lemski