Jonathan Blumhofer

Classical Concert Review: Emmanuel Ax and the Boston Symphony Orchestra/Jaap van Zweden at Symphony Hall

February 15, 2012
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To judge from the all-around energetic playing of the BSO, it seems conductor Jaap van Zweden has struck a good rapport with the players and I, for one, look forward to hearing more from him in coming seasons.

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Book Review: The Precarious Existence of Symphony Orchestras

February 4, 2012
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This is a book for anyone interested not just in the economic state of the symphony orchestra, but in the overall financial health of the arts in the United States.

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Concert Review: Boston Symphony Orchestra/Bramwell Tovey Light Up Symphony Hall

January 30, 2012
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After the “Lobgesang”’s premiere, Robert Schumann declared this movement “a glimpse of heaven filled with Raphael’s madonnas,” and Saturday’s performance by the BSO came about as close to that as one could imagine, sensitively phrased and beautifully blended.

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Classical Music Review: BMOP Revitalizes the Concept of a Concerto Concert

January 29, 2012
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Though there were differences in quality between the compositions in the BMOP concert, all of the pieces fulfilled the primary requirement of a concerto: they showed off the capabilities of the solo instrument in question, often memorably so.

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Classical Concert Review: The BSO Handles a Last Minute Cancellation with Aplomb

January 22, 2012
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Guest conductor Giancarlo Guerrero, music director of the Nashville Symphony Orchestra, is a big man who conducts with big gestures. In the first half of “The Rite of Spring” I wasn’t quite sure if his podium mannerisms (which culminated in jumping jacks during the concluding “Dance of the Earth”) were helpful or distracting.

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Concert Review: Concord Chamber Players and Jessica Zhou

January 16, 2012
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In a nice twist, no piece on the Concord Chamber Players program was written before 1907, and that oldest piece came from a fine composer, Camille Saint-Saëns, whose music has fallen somewhat by the wayside since his death in 1922.

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Concert Review: A Superb Trio con Brio Copenhagen at Tuckerman Hall, Worcester

January 6, 2012
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The extraordinary intensity the ensemble achieved at soft dynamic levels and their very natural sense of the movement’s pacing were both quite impressive.

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Fuse Concert Review: Boston Baroque at Sanders Theater, January 1, 2012

January 2, 2012
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Boston Baroque closed out 2011 and began 2012 with an engaging program of pieces by Corelli, Handel, Bach, and Vivaldi that featured some rather unfamiliar instruments and repertoire. Martin Pearlman, the group’s founder and music director, conducted this thoroughly enjoyable concert.

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Concert Review: An Uneven Aviv Quartet at Houghton Chapel, Wellesley College

December 13, 2011
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As nicely played as the Mendelssohn and Tchaikovsky were, I left feeling that there was something distinctly anticlimactic about the Aviv Quartet’s programming choices. I would much rather have heard the Erwin Schulhoff close the evening –- or at least heard it sandwiched between the Romantic selections.

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Concert Review: 102nd Annual Christmas Carol Services at Memorial Church, Harvard University

December 12, 2011
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The superb Harvard University Choir, which is arguably one of the best ensembles of its kind in the country, was in fine form throughout the evening.

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