Jonathan Blumhofer

Classical CD Reviews: Bartók Ballets, Saint-Saëns Complete Symphonies vol. 2, and Korngold’s Symphony in F-sharp

August 20, 2019
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A can’t-miss album of Bartók Ballets, Thierry Fischer continues to do right by the symphonies of Saint-Saëns, and a spirited recording of the “last great symphony in the German Romantic tradition.”

Classical CD Reviews: Finley & Drake’s “Schwanengesang,” Bostridge & Adès’ “Winterreise,” Meglioranza & Uchida’s “Die schöne Müllerin”

August 18, 2019
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Reviews of three superior vocal recordings, featuring baritone Gerald Finley, tenor Ian Bostridge, and baritone Thomas Meglioranza.

Arts Commentary: Some Thoughts on the Boston Philharmonic Youth Orchestra’s 2019 Brazilian Tour

August 1, 2019
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Suffice it to say, the tour was an extraordinary experience, musically and culturally, and, for me, a conspicuously potent introduction to a new continent.

Classical Music Review: The Boston Philharmonic Youth Orchestra in Brazil, Part One

June 21, 2019
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The BPYO’s repertoire in Brazil is drawn from last year’s programs and is built around Rachmaninoff’s Piano Concerto no. 2.

Concert Review: Juventas New Music’s “Pride: Hand in Hand”

June 5, 2019
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The six pieces hailed from various corners of the country and examined a wide range of expressive and social viewpoints.

Classical CD Reviews: François-Xavier Roth conducts Mahler, Mariss Jansons conducts Schumann & Schubert, and Daniel Lippel plays Steve Reich

June 3, 2019
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François-Xavier Roth’s Mahler offers plenty of personality and ideas; there’s nothing on Mariss Jansons’ disc that’s really worth your time; guitarist Daniel Lippel draws out Steve Reich’s lyrical qualities.

Classical CD Reviews: Petrenko conducts Elgar, Gardner conducts Mendelssohn, and Alain Lefévre’s My Paris Years

June 1, 2019
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Vasily Petrenko’s Elgar disappoints, Edward Gardner’s Mendelssohn excites, and Alain Lefévre’s Paris is delights.

Classical CD Reviews: Jurowski conducts Rachmaninoff, Yiddish Cabaret, and Russian Masquerade

May 30, 2019
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Vladimir Jurowski’s new recording of Rachmaninoff’s Symphony no. 1 is a tightly-played, exciting reading; The Yiddish Cabaret’s only real offense relates to poor labeling; The transcriptions in Russian Masquerade are played with spunk and vitality.

Classical CD Reviews: Theodore Kuchar Collected Recordings, Eduard Strauss Centennial Edition vol. 2, and Railroad Rhythms

May 21, 2019
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Railroad Rhythms is one of the year’s delights: unexpected, well played, and thoroughly charming. Theodore Kuchar is a conductor who seems to know precious few limitations; Eduard Strauss, despite his champions, turns out to have been a competent writer of music for the day.

Classical CD Reviews: Andris Nelsons conducts Shostakovich, Esa-Pekka Salonen’s Cello Concerto, Project W

May 20, 2019
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Arguably, the strongest entry in the BSO’s complete Shostakovich symphony cycle thus far; Esa-Pekka Salonen’s 2016 Cello Concerto is emotionally direct and, at times, simply gorgeous; the resurgence of interest in the music of Boston-educated composer Florence Price is a good thing.

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