Gerald Peary
Considering his loopy career and also his bumpy off-screen life, Nicolas Cage seems neither ashamed nor apologetic about how it’s all gone down.
Eric Neudel and Alison Gilkey found a tremendous subject for a documentary, and have told his tale with urgency and compassion.
Is it possible that adventurous readers have a better feel for the virtues of this zany, demanding satire than fuddy-duddy critics?
Steven Spielberg’s West Side Story is fairly entertaining, fairly decent, but that’s about it.
Bergman Island is a curious, intelligent film that suffers from a disappointing breakdown.
Is what we see real or in the spirit world? Whatever, I cheer on filmmaker David Lowery’s luminous time-traveling. Pure cinema poetry.
The results of a Facebook contest for the Best of American Film Noir, 1940-1959
The Road to Ruin is a practically unknown film begging for discovery, and to be championed as a startling example of pre-Code cinema. And as a keystone for creating a directorial reputation for “Mrs. Wallace Reid.”
John Waters and I were in sync with our favorite in this year’s festival.
Film Feature: Favorite Fiction Features Directed by Women — An International Poll
The result of critics polled for their Ten Favorite Fiction Features Directed by Women — with the choices of Arts Fuse reviewers.
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