Gerald Peary
Eric Neudel and Alison Gilkey found a tremendous subject for a documentary, and have told his tale with urgency and compassion.
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Is it possible that adventurous readers have a better feel for the virtues of this zany, demanding satire than fuddy-duddy critics?
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Steven Spielberg’s West Side Story is fairly entertaining, fairly decent, but that’s about it.
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Bergman Island is a curious, intelligent film that suffers from a disappointing breakdown.
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Is what we see real or in the spirit world? Whatever, I cheer on filmmaker David Lowery’s luminous time-traveling. Pure cinema poetry.
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The results of a Facebook contest for the Best of American Film Noir, 1940-1959
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The Road to Ruin is a practically unknown film begging for discovery, and to be championed as a startling example of pre-Code cinema. And as a keystone for creating a directorial reputation for “Mrs. Wallace Reid.”
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John Waters and I were in sync with our favorite in this year’s festival.
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What motivated me to read this book? Not for a special love of Midnight Cowboy, a movie which I like but isn’t ultimately important to me. It was to learn about James Leo Herlihy, who has interested me since I was an adolescent.
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Film Feature: Favorite Fiction Features Directed by Women — An International Poll
The result of critics polled for their Ten Favorite Fiction Features Directed by Women — with the choices of Arts Fuse reviewers.
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