Gerald Peary
In this genial, colorful memoir, Leslie McFarlane reveals the long path to how, anonymously, he became author of the most best-selling series of boys’ books in publishing history, twenty million volumes and counting.
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Max Walker-Silverman’s first feature, A Love Song, is a character-driven, humanist, and deeply ecological present to someone of my generation.
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This year, I decided to skip gay films altogether. I got tickets instead for two promising lesbian-themed feature documentaries. An excellent decision.
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If the filmmakers are going to delve into the Jazz Fest vaults, how is it possible to show only a few seconds of Professor Longhair and nothing of James Booker, the Meters, the Neville Brothers? Not good.
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Again and again, we are taken in The Will to See to places where regular reporters never venture, and certainly not filmgoers.
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Considering his loopy career and also his bumpy off-screen life, Nicolas Cage seems neither ashamed nor apologetic about how it’s all gone down.
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Eric Neudel and Alison Gilkey found a tremendous subject for a documentary, and have told his tale with urgency and compassion.
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Is it possible that adventurous readers have a better feel for the virtues of this zany, demanding satire than fuddy-duddy critics?
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Steven Spielberg’s West Side Story is fairly entertaining, fairly decent, but that’s about it.
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Film Feature: Favorite Fiction Features Directed by Women — An International Poll
The result of critics polled for their Ten Favorite Fiction Features Directed by Women — with the choices of Arts Fuse reviewers.
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