Gerald Peary

Film Review: “A Woman, a Part” — Leaving the Business

January 23, 2018
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Credit director Elisabeth Subrin for being resourceful in incorporating her cast’s real-life situations into her storytelling.

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Film Review: “Nowhere to Hide” — A Potent Documentary about the Never-ending War in Iraq

December 6, 2017
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How palpable is the combat in Nowhere to Hide!

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Book Review: “American Witness: The Art and Life of Robert Frank”

December 2, 2017
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Robert Frank had dared overturn the central conceit of the great photographs of the Farm Administration 1930s; that the poor were noble creatures.

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Critic Commentary: “My Basketball Retirement”

November 25, 2017
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After 36 years of twice-a-week pickup basketball at the Cambridge Y at Central Square, I recently cleared my locker and said adieu.

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Film Commentary: The Carthage Film Festival

November 21, 2017
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Like going to Mecca, shouldn’t every committed cinephile get to the Carthage Film Festival once in a lifetime?

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Film Review: “Brad’s Status” — A Triumphant Comedy About Male Failure

September 22, 2017
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This downer comedy is a triumphant entry into the botched, washout male category of cinema.

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Film Review: The Newburyport Documentary Film Festival — Cozy and Smart

September 20, 2017
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The Newburyport Documentary Film Festival is leisurely and unpretentious — and addictive.

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Film Review: “In Transit” — Albert Maysles’s Marvelous Final Testament

August 31, 2017
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Everyone who loves documentary, who cherishes the Maysles brothers’ legacy, should rush to the Brattle Theatre to see In Transit.

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Book Review: “The Flaherty Seminar” — A History of Cinematic Contention

July 26, 2017
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It’s probably unfair, but attending the Flaherty, I kept seeing in my mind the pig Napoleon and his attack dogs in George Orwell’s Animal Farm.

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Film Commentary: Death Knell for American Independent Cinema?

June 23, 2017
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The well has evaporated for much of new American independent cinema.

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