Arts Fuse Editor
For once, shame worked. Museums that normally court the robber barons of our era capitulated and took the Sackler name-plates down.
Europa Galante is small enough to make touring financially viable, yet large enough to successfully undertake “larger” works in a variety of venues.
Ruben Östlund is a richly talented filmmaker who puts the world of outrageous privilege in his cross hairs.
Religion is false, unscientific, and morally dubious, and any discussion that doesn’t take that as its starting point will end up going astray.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Tar is about a major artist with an outsize ego who ignores at her peril the seismic shifts in the culture.
An author with a deep affinity for and knowledge of movies and how they’re honored tells us all about Oscar.
Chaos and anarchy are embedded in Angelo Madsen Minax’s hybrid cinema of survival, acceptance and transcendence.
The nine-part film series focuses on the artist in his studio in Johannesburg. We see William Kentridge as he draws, paints, designs, paces the floor, and thinks out loud — among other things.
Visual Arts Commentary: Branded in Boston — Logos by Any Other Name
What’s up? Several public and private agencies have changed their graphic identities and even names.
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