Arts Fuse Editor

Visual Arts Review: Norman Rockwell Takes On Abstraction

July 15, 2016
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What is so intriguing about “The Connoisseur” is wondering how Rockwell did it.

Film Review: “Zero Days” — Be Afraid. Be Very Afraid.

July 13, 2016
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Alex Gibney’s powerful documentary looks closely at some recent examples of malware designed to wreak havoc worldwide.

Film Review: “Our Kind of Traitor” — Spies Left Out in the Cold

July 12, 2016
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Our Kind of Traitor provides plenty of agreeably tense entertainment.

Dance Review: Gauthier Dance — Distinctive Exuberance

July 8, 2016
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As a group they are exuberant, personable, immediate, which in turn makes even the meh choreography palatable.

CD Review: Eric Krasno Steps Out as a Leader in “Blood From a Stone”

July 8, 2016
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On his debut solo record, Eric Krasno moves to the forefront in a way that we haven’t seen during his 20 years of being one of the dudes in the band .

Fuse Film Review: “Swiss Army Man” — Way Down the Rabbit Hole

July 6, 2016
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Swiss Army Man is much more than your standard absurd adolescent comedy or a campy send-up of the genre.

Visual Arts Review: “Splendor, Myth, and Vision: Nudes from the Prado”

July 5, 2016
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Beyond a few superb works, the panorama of flesh proves to be oddly enervating.

Film Review: “Genius”? Oh, Really?

July 4, 2016
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Unfortunately for Genius, film is a visual medium, not a talking heads snore fest.

Fuse Coming Attractions: July 10 through 19 — What Will Light Your Fire

July 3, 2016
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Arts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.

Dance Review: Bereishit Dance Company — Cosmopolitan Grace

July 2, 2016
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Soon-Ho Park’s dancers seem imbued with the casual cosmopolitanism of their peers, but they reflect a deep seriousness in their craft.

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