Arts Fuse Editor

TV Review: “3 Mics”—Neal Brennan’s Innovative Stand Up

March 5, 2017
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Neal Brennan’s mix-and-match of styles manages to combine deadpan sensibility with shocking poignancy.

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Dance Review: Meredith Monk — Songs With and Without Words

March 2, 2017
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Any performance of Meredith Monk’s is spare to the point of enigma, and also tremendously evocative.

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Film Review: “Kedi” — Caring for a City of Cats

February 28, 2017
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This endearing but unsentimental film explores the myriad connections that many Istanbul residents have to their feline neighbors.

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Book Review: “Nicotine” — A Fresh Take on Addiction

February 27, 2017
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A beautiful, if somewhat meandering, series of vignettes on the writer’s lifelong relationship with cigarettes.

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Coming Attractions: February 26 through March 14 — What Will Light Your Fire

February 26, 2017
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Arts Fuse critics select the best in theater, film, music, author events, and dance for the coming weeks.

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Dance Review: At the Boston Ballet — Ballet as Drama

February 26, 2017
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Like a lot of first efforts by prospective masters, Artifact is loaded with ideas.

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Theater Review: “Women in Jeopardy!” — Critic Left Unconcerned

February 24, 2017
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The MRT production marches clumsily along the fine line of being funny and knowing it is funny.

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Book Review: “The Shipwrecked Mind” — Leaving the Carnage Behind

February 23, 2017
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Mark Lilla argues that the creed of the reactionary mind can be just as radical (and disturbing) as any revolutionary ideology.

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Dance Review: At the ICA, Alessandro Sciarroni’s FOLK-S Mesmerizes

February 21, 2017
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The performance turned out to be a nervy but hypnotic game of endurance for performer and audience members.

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Theater Review: “Don’t Give Up the Ship” — A Promising Voyage

February 21, 2017
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Don’t Give Up the Ship is well worth the time of audience members seeking exciting, unconventional theater.

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