Arts Fuse Editor

Theater Review: “Chill” — Millennial Melodrama

March 29, 2017
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Chill is a solid enough attempt to dramatize a millennial coming-of-age story, but it is reluctant to probe very deeply into the guts of the zeitgeist.

Stage Review: “Our American Hamlet” — Theatrical Redemption

March 29, 2017
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There are powerful intimations of modernity in the writhings of Edwin Booth’s psyche.

DVD Review: “Canoa: A Shameful Memory” — A Masterpiece of Mexican Political Cinema

March 28, 2017
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Canoa is a historical drama about the horror of history, made all the more frightening because it is based on a true story.

Film Review: The Maine Jewish Film Festival — “BANG! The Bert Berns Story”

March 27, 2017
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A documentary about the most important songwriter and record producer from the sixties that you’ve never heard of.

Dance Review: Boston Ballet’s “Kylián/ Wings of Wax”

March 26, 2017
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Kylián’s astute choice of musical selections helped gave a structural shape to “Wings of Wax.”

Visual Arts Review: A Luminous “Lumia” at Yale University Art Gallery

March 26, 2017
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The result is reminiscent of a Mark Rothko painting — if it was projected through the refracted light of a prism.

Coming Attractions: April 2 through 11 — What Will Light Your Fire

March 26, 2017
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Arts Fuse critics select the best in film, dance, theater, music, and author events for the coming weeks.

Film Review: “The Devil’s Candy” — Wouldst Thou Like to Die, Deliciously?

March 24, 2017
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Horror fans in search of a smarter-than-average thriller that will make their viscera quiver should not miss this one.

Book Review: “With Ballet in My Soul” — The Vicissitudes of an Impresario

March 24, 2017
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Eva Maze drops names and paints a heady picture of the high life, but she does so with the disarming charm that permeates most of her memoir.

Film Review: “A United Kingdom” — Far More than a Love Story

March 24, 2017
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A United Kingdom‘s astute reflections on racial and economic realpolitik makes this film far more than a love story.

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